Considering Stage Direction as Building Informed Virtual Environments

Alain Bonardi (1, 2, 3, 4) , Francis Rousseaux (5)

1 CICM - Centre de recherche Informatique et Création Musicale
2 MSHPN - Maison des sciences de l'Homme Paris Nord (MSH Paris Nord)
3 MUSIDANSE - Esthétique, musicologie, danse et création musicale
4 STMS - Sciences et Technologies de la Musique et du Son
5 CRESTIC - Centre de Recherche en Sciences et Technologies de l'Information et de la Communication - EA 3804

This article begins with some recent considerations about real-time music, inspired by the latest contribution of French composer Philippe Manoury. Then, through the case study of the scenic performance La Traversé e de la nuit, we analyse some perspectives for designing an Informed Virtual Environment dedicated to live show artistic domain.

Mots clés: Informed Virtual Environments; Contemporary music; Virtual composition; vs improvisation; Score following; Ircam; Sensorial multimodality; Turning voice emotion; into graphical movement; Husserlian retention/protention; Artistic performance and live; show; Visual avatar of an oral emotion

Domaines: Musique, musicologie et arts de la scène

Alain Bonardi, Francis Rousseaux. Considering Stage Direction as Building Informed Virtual Environments. Journal of Virtual Reality and Broadcasting, 2009, 6 (10). ⟨hal-01576773⟩